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Poe's Children: The New HorrorBy Peter Straub
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A Washington Post Best Book of the Year
Peter Straub—bestselling author and 8-time Bram Stoker Award winner—has gathered here 24 bone-chilling, nail-biting, frightfully imaginative stories that represent the best of contemporary horror writing.
Dan Chaon “The Bees”
Elizabeth Hand “Cleopatra Brimstone”
Steve Rasnic Tem and Melanie Tem “The Man on the Ceiling”
M. John Harrison “The Great God Plan”
Ramsey Campbell “The Voice of the Beach”
Brian Evenson “Body”
Kelly Link “Louise’s Ghost”
Jonathan Carroll “The Sadness of Detail”
M. Rickert “Leda”
Thomas Tessier “In Praise of Folly”
David J. Schow “Plot Twist”
Glen Hirshberg “The Two Sams”
Thomas Ligotti “Notes on the Writing of Horror: A Story”
Benjamin Percy “Unearthed”
Bradford Morrow "Gardener of Heart”
Peter Straub “Little Red’s Tango”
Stephen King “The Ballad of a Flexible Bullet”
Joe Hill “20th Century Ghost”
Ellen Klages “The Green Glass Sea”
Tia V. Travis “The Kiss”
Graham Joyce “Black Dust”
Neil Gaiman “October in the Chair”
John Crowley “Missolonghi 1824”
Rosalind Palermo Stevenson “Insect Dreams”
- Sales Rank: #1268805 in Books
- Brand: Straub, Peter (EDT)
- Published on: 2009-10-06
- Released on: 2009-10-06
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.06" w x 5.20" l, .99 pounds
- Binding: Paperback
- 608 pages
From Publishers Weekly
Starred Review. Edited by legendary horror writer Straub, whose works tend to vary from the stereotypical horror stories of recent decades, this collection of 12 unusual and terrifying tales strays from the formulaic bloodbaths that stock the shelves of bookstores everywhere. The collection features stories by such established writers as Neil Gaiman, Jonathan Carroll, Straub and Stephen King, whose early story The Ballad of the Flexible Bullet is read by John Lee with such earnestness and delight that it makes fans remember why they fell in love with King's prose to begin with. It also offers plenty of fresh voices in the genre. The cast of narrators is equally expansive, with a new voice tackling each new tale and always managing to get it right. A true standout is Mark Bramhall's reading of Dan Chaon's story The Bees. A Doubleday hardcover (Reviews, Sept. 8). (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
With an introduction by the much honored Straub (Ghost Story), this collection can be dubbed New Wave horror, considering that most of its 24 stories were published fairly recently and it includes contributions by celebrity horror writers. The tales mostly eschew buckets of blood, instead employing mood and suggestion in the manner of Edgar Allan Poe. "Little Red's Tango," Straub's lengthy quasigospel of a record-collecting obsessive, complete with beatitudes and a seductive demon, ably represents the editor's definition of New Wave horror. All the stories honor Poe, like the moody, contagious delusions of Stephen King's "The Ballad of the Flexible Bullet." The genre can be literary, as exemplified by Tia V. Travis's vengeful "The Kiss," Thomas Tessier's surprising "In Praise of Folly," and, probably the most demonstrably Poe-like, Ramsey Campbell's "The Voice of the Beach," featuring a neurasthenic narrator, suffocating suggestibility, and nearly palpable imagery. Brian Evenson's creepy "Body" and Dan Chaon's touching "The Bees" culminate in the horror of bad deeds catching up. The other stories included are without exception excellent. Recommended for all libraries.—Jonathan Pearce, California State Univ.
Stanislaus, Stockton
From Booklist
In this sumptuous, 25-story anthology, horror veteran Straub eschews the genre’s common macabre trimmings in favor of literary style. The authors featured represent Poe’s legacy with a level of craftsmanship equal to that of the best writers in contemporary literature. Most of them—the likes of Stephen King, Neil Gaiman, Ramsey Campbell, and Straub himself—are already familiar to horror fans, while a few, such as Dan Chaon and Brian Evenson, may be more recognizable to mainstream readers. The selections include King’s early “The Ballad of the Flexible Bullet,” about an editor whose typewriter is infested with crumb-eating elves called Fornits; Melanie and Steve Rasnic Tem’s award-winning “The Man on the Ceiling,” a faux-autobiographical account of the uncommon terrors haunting a family; and Ben Percy’s eerie “Unearthed,” describing the madness afflicting an amateur archaeologist when he digs up an Indian corpse. Full of unusual themes and finely nuanced prose, this is a collection to spend time with and savor slowly. --Carl Hays
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